Congratulations! You got the gig. You know you’re ready. You’ve created a great setlist. Your gear is modified and adjusted to perfection. You’re so well-rehearsed you could play any of your songs perfectly, anytime, anywhere, for any audience. Rock and roll greatness awaits you! What could go wrong? Regardless of your professional level, there are minor snags that can mess up your show or keep the unprepared from doing the gig altogether. Any of them could happen to anyone, and some are likely to happen to you, sooner or later. Fortunately, a little preparation can reduce most of the more predictable setbacks to mere maintenance and save the
Written by PGS staff The lights are low and the song is pumping. The crowd is rowdy and loving every minute of it. Then—BAM!—the spotlight is on you for the guitar solo. The first note sings out and you’re off, galloping away like a rock star and the cheering is deafening. Then the final part, the inverted triad outro to the solo, you hit it and . . . dead silence. It’s so out-of-tune the deaf person in the back is frowning. How did this happen? The guitar was in tune at the beginning of the song. Hell, the guitar is
By necessity, most of us spend an inordinate amount of time cruising guitars, getting familiar with their specs, window shopping—just being a geek, really. We’re guilty of hyper-focusing on the instrument and practically ignoring other things that are of great importance in the grand scheme of the whole guitar rig. This week, we’re looking at a critical and often-ignored component in the realm of playing electric guitar: The cables that transmit the signal between the guitar and amp. This component is often barely given a second thought by some players—we’re all guilty—but we can’t be heard without it. Thankfully, there’s room
By PGS Staff We tend to focus a lot on actually playing guitar, but to what is all guitar playing basically in service? SONGS. Most of us aren’t just players, we’re writers, too. In fact, we’d be willing to bet that some of you are more writers than guitar players, playing guitar well enough to be able to write songs and parts for those songs. We’re offering up a few tips for guitarists who write songs. In an effort to help you guys break out of whatever patterns are holding you in or holding you back, here are ten tips to help you write better songs. 1 -BACK TO BASICS Make
Written by PGS Staff If there’s one thing that the vast majority of us can agree on, it’s the notion that tubes are king. Sure, solid-state amps have their place, but to this day, nothing gets the blood pumping like real tube action. Though we know that we prefer tubes, a much smaller percentage of us knows why. This week, we’ll be looking under the hood of your tube amp, giving an overview of power tubes and how the various vacuum valves affect your tone. The Tiny Backstory The quick history: in the late 19th century, scientists were
By PGS staff Think of the historic guitars of the 20th century and realize the impact Gibson has had on our music. Robert Johnson played his L-1 to define the Delta Blues for generations; Charlie Christian’s ES-150 allowed the Jazz guitarist to be heard in a big band for the first time. Woody Guthrie stood up for humanity with his 1945 Gibson L-0, decorated with his famous phrase “This Machine Kills Fascists.” Elvis strummed his J-200, swung his hips, and established rock ‘n’ roll as the most significant and popular form of music in the coming decades. Keith Richards picked
by PGS Staff Let’s hear it for the obscure guitars! We’ve all seen them—those rare, humble instruments that spend years collecting dust in pawn shops and thrift shops, those garage sale discoveries with the unfamiliar brand on their headstocks, and body designs that might be thought of as . . . well, quirky. These are guitars laden with experimental pickups and hardware, and switching that is nothing short of esoteric. Many of these are obscure for a reason. Time, cheap materials, badly designed components, and careless construction have rendered them barely playable, and probably not worth a new set of strings.
Written by PGS staff The search for truly stellar tone will, sooner or later, lead you to ask how much the weight of your guitar’s body affects your sound. For those considering weight when buying an instrument, there is some debate over which sounds better: a heavy guitar or a light one. Some guitarists believe a lighter instrument will better respond to the full spectrum of string vibrations to deliver a more musical sound, with a more “open” tone and much brighter highs. Others argue that the full, rich sound of the traditionally heavier guitars is due in