ProGuitarShop

The Perfect Bridge Adjustment

April 2, 2013

by Daniel Brooks

It is always a good idea to do a set up on any new guitar. Some manufacturers are good about attending to all the details before they ship out one their instruments, and most are reasonably playable right out of the box, but not always. Individual preferences can vary enough that the factory adjustments done just to get the guitar within the normal range of what is commonly acceptable might make your new instrument feel like someone else’s old shoes. A good set up, one where you measure all of the things that can be measured and adjust all of the things that need to be adjusted, is a good way to familiarize yourself with your new guitar and insures that that your instrument is fine tuned for both you and your guitar’s optimum performance.

But what about your old guitar? You know, the one you’ve been playing the longest? You probably tweaked it to perfection years ago, and now you just check it every so often to make sure the neck is still straight and all of the screws are tight. Believe it or not, years of restringing, retuning, travel and playing might be cause for a basic set up. Over the years, the moving parts with which you adjust your string height and intonation can move, ever so slightly. If you haven’t checked it since it was new, a little tweak of your bridge height and intonation might be necessary, especially if you have ever changed your string gauge.

Heavier strings carry more tension. They pull on the neck a little more, maybe even a lot more, than lighter strings, and any change in string gauge from heavier to lighter, or lighter to heavier can create a slight change in the neck’s profile. If your action is set low, this slight change can make your guitar a lot less musical.

Heavier strings also sit a little higher on the bridge. A change from a .046” to a .048” or a .050” lower E string will raise the center of the string’s mass, it will actually sit one or two thousandths of an inch or more away from the bridge saddle it rests upon. This may not sound like much, but combine it with a slightly more bowed neck, and the string actually has to bend a little further to reach the fret. If that bend results in even a two or three Hz change in the note’s frequency, you have an intonation problem. It may not be enough to render your guitar unplayable, but it will be just enough to make it sound just a little off.

Fortunately, a simple bridge adjustment is easy and effective. It is the bare bones of the basic set up. You’ll need a few basic tools, which will vary, depending on what kind of bridge is on your guitar. No matter what kind of guitar it is, you’ll need a feeler gauge or a good ruler marked in 1/32" and 1/64" (0.5 mm) increments to measure your string height above the fret, a good chromatic tuner, and a towel or a cloth to protect your guitar’s finish from tool marks.

The first thing to do is restring your guitar and tune it. Recheck your tuning whenever you adjust anything during the set up. If you have a Strat, you will need a set of Allen wrenches, a #1 and a #2 Phillips screwdriver. Adjust the tremolo, if you have one. If it sits high, at an angle, open the back plate and tighten the two screws that attach the spring claw to the body until the tremolo sits parallel to the body. Turn both screws an equal number of turns so the tension is equally distributed.

Now it is time to adjust your action, or string height. Tune your guitar and then measure the space between the 17th fret and the bottom of each string. Fender recommends a minimum string height of 4/64” (1.6 mm) above the 17th fret. Gibson recommends a minimum of 3/64” (1.16 mm) between the high E and the 15th fret, and 5/64 (1.98 mm) between the low E and the 15th fret. This can vary quite a bit depending on your preference but typically, if you play with a light touch you’ll probably find a lower action is preferable. More heavy-handed guitarists and slide players will probably want to raise the action a bit to avoid fret noise.

Each bridge saddle on any model Stratocaster will have two Allen screws that set the height of each individual string. Find the correct Allen wrench and turn both Allen screws in each bridge saddle the same number of turns. If you are trying to raise your action, a clockwise turn will put more of the screw between the saddle and the bridge plate effectively raising the saddle and the string that rests upon it, and a counterclockwise turn will lower it. Be sure to turn each Allen screw only a quarter turn at a time, and always give both screws for each saddle the same number of turns. You want to keep the bridge saddle parallel to the bridge plate. It will negatively affect the sound and performance of your guitar if it is not parallel. When you think it’s where it needs to be, retune the string and measure the action. Play each note on each fret on that string. If it buzzes or plays the same note as the next fret, you have dropped your action too low.

There are a couple of different bridge designs used on a Telecaster. One of them works exactly like that of a Strat, with individual saddles whose height is adjusted by a pair of Allen screws. You can adjust it the same way. The other has three “barrels,” each of which works as the bridge saddle for two adjacent strings. At each end of each barrel is a screw that goes though the barrel and rests on the bridge plate. A clockwise turn of each standard, slotted screw will put more of the screw between its end of the saddle and the bridge plate, raising just that string. Here the bridge saddles do not have to be parallel. Each string must be adjusted for its own optimal height. It may sound a little wacky, but many believe this design contributes to that characteristic sound of a Tele, so they keep making them that way. 

You cannot adjust the height of each individual bridge saddle on a Les Paul, or any guitar with a Tune-O-Matic bridge. You can only adjust the height of each end of the bridge itself. At either end of the bridge is a wheel used for this adjustment. Unlike other bridge adjustments, each clockwise turn sinks a little more of the stud, upon which rests the bridge, into the bushing, which lowers the action. Fortunately, the bridge saddles are each height-adjusted for the fretboard radius.

Now that the bridge is adjusted for perfect string height, we are ready for the last step in the set up. To do this adjustment on a Stratocaster or a Telecaster, you’ll need a #1 Phillips screwdriver. On a Les Paul or any other guitar with a Tune-O-Matic Bridge you’ll need a #0 or #1 flathead screwdriver. The adjustment itself is universal, the same rule applies to every kind of guitar or bridge.

When the intonation is perfectly adjusted, the 12th fret should mark the exact halfway point on the string between the nut and the bridge. When the fretted string is exactly one half the length of the tuned, open string, it vibrates with exactly twice the frequency of the open string, an octave. Of course, the diameter and the height of each string will affect this ratio, so we have to adjust the length of each string.

Tune your guitar. Play a harmonic at the 12th fret of any string. Touch the string above the 12th fret, lightly, without fretting it, and pluck it with your other hand. It should make the pure, beautiful bell-like tone of the two halves of the string harmonizing with one another. Fret that same string at the 12th fret and pluck it again, it should make the exact same note. If the fretted note is a higher pitch than the harmonic, then the distance between the bridge and the 12th fret is shorter than the distance between the bridge and the halfway point of the open string. Lengthen the string. Turn the screw at the far end of the bridge clockwise a whole turn. Retune the string (check all the strings) and repeat until the harmonic and the fretted note are exactly the same pitch then adjust the next string.

Now, plug it in and play. Isn’t that better?  

Comments

  1. Shtew says:

    The gauge of string does NOT affect action height, as it is measured from the top of the fret to the bottom of the string.
    Lighter or heavier gauges of strings can certainly affect the “feel” of the action, as the overall height from fingerboard to the Top of the strings will vary due to the thickness of the strings-but the action height will still be from the top of the fret to the bottom of the strings…

    posted on April 2, 2013 at 6:31 am
  2. Vagn Pihl says:

    Lovely that you came in with excactly what i need about setting up my Fender, i´ll use some time reading about adjustments, but i´ll be happy to get news by the way, hope we´ll make some int.whatever it might be have a nice day Phil Wagner.

    posted on April 2, 2013 at 6:41 am
  3. mark says:

    you failed to mention a floyd rose set up. like is there a particular order to tuning adjustments before stretching and clamping the nut? still good article

    posted on April 2, 2013 at 7:02 am
  4. keith fries says:

    While I applaud your intentions with regard to letting the beginner understand the importance of correct setup, I think you would have served them better to suggest they pay the small amount of $ it costs to have a pro do it. Especially a tremolo setup. Correct setup is as much art as science in my opinion. That’s what separates a great setup from a hack job.  I think they will get themselves into more trouble than they will correct. That’s fine with me because I specialize in setups and may eventually wind up with their attempts. That being said, You guy’s go a great job of educating the masses. Keep it up.

    posted on April 2, 2013 at 7:19 am
  5. Andrew says:

    @Shtew
    String gauge affects action in two ways, one is the higher tension and the overall thickness of the string which makes it closer to the frets. it might not affect your SG bt on a Strat it’s a BIG deal. The tension of the string usually makes your whammy do a dive. On a my strats I run 10’s and 12’s (standard Sets) On tens I can get away with using only two Springs for the Trem. On 12’s I have to add a third Spring and move the spring claw in with a clearance of only 3/16th”
    Nice try, but physics still apply in the musical world.

    posted on April 2, 2013 at 7:59 am
  6. Davd says:

    How about an article regarding floating tremolos? There’s a lot to be conveyed there!

    posted on April 2, 2013 at 8:15 am
  7. shtew says:

    @Andrew
    I’m a Pro Luthier with over 27 years experience, and have Set Up thousands of guitars.
    You are incorrect.
    “Action” is the distance of the string[s] to the fret[s].
    It is measured from the top of the fret to the bottom of the string.
    It is properly measured & adjusted AFTER neck, Nut, and Vibrato [Trem] adjustments have been done, as they will affect the ACTION adjustment.
    No matter WHAT gauge the strings are, the bottom of the string[s] to the Top of the fret[s] remains the same parameter….it’s “physics”...and exactly the same “physics” on any guitar…SG, Strato, LP,Acoustic, etc.
    Yes, heavier strings have more tension, and adjustments are made in the proper order as needed, as previously mentioned above.
    It’s [action adjustment] got nothing to do with how many springs are in the guitar or the gauge of the strings.
    Those adjustments to compansate for string gauge & tension are done prior to adjusting the Action…which again…is from the top of the frets to the bottom of the strings…

    posted on April 2, 2013 at 8:43 am
  8. Sean Varley says:

    I have been doing my own setups for the last 6-7 years and I can say it is one of the best skills to have as a guitar player. Learning how to setup your instrument not only saves you money but helps you understand the basic operation of the guitar.

    I would recomend you buy a good book or even a couple of books and check out YouTube. There is allot of good demos on guitar setup on the web. Some of it is BS but most of the advice is very good. 

    One thing I have picked up on that nobody seems to talk about is the nut. 

    We all know that string gage is important and allot of players like lighter gage strings and that is OK. However, if you go from 11’s to 9’s you should adjust the neck relief, bridge height, intonation and the nut.

    After checking the relief I always check the string height at the first fret and the grooves in the nut. If the groove was cut for 11’s and you are playing 9’s it is likely you will have some play in the notch of the top three strings. Purchase the correct gage nut files and file the groove to match the string so it seats tight. Also, sand down the top of the nut so the top third to half of every string is above the top level of the nut. If the string is sitting down in an oversized groove it will buzz and the sustain will be sucked right out of the string. I have seen a correctly fitted string to nut combonation fix allot of problems over the years. Adjusting the string height at the first for each string is the best way to make sure your sting radius matches your neck radius from the nut to the bridge saddle. It makes the guitar feel and play better.

    A good way to check the nut is to play the string open. If it buzzes when you play open sting and it doesn’t when you play the note at the first fret the problem is most likely the nut. Either it is cut to deep or the groove is cut to large for the string.

    posted on April 2, 2013 at 9:05 am
  9. keith fries says:

    It always astounds me to see how self-important. know-it-alls feel the need to display their “knowledge” and denegrate others. Funnier still is that the worst are usually wrong (Physics - seriously?). As all these coments show setup is not so straight-forward as just reading an article can cover. While most have valid ideas many are conflicting and some just wrong.  I think the most difficult part of a well setup guitar is finding the right person to do it. Luthier’s are not necessarily players and many just follow rule based formulas. “Rules” vary.  Most experienced players don’t know what a well setup guitar feels like. they have just adapted to the what they have become use to. I know from when I have a solid player try my guitars and ask why they play like butter. Good Luck to all.

    posted on April 2, 2013 at 9:57 am
  10. DBA says:

    Great article in plenty of detail.  Lots of good comments and getting your guitar setup by a pro shop is always good. Setups are not that expensive and welll worth it.  Noodling around on your instrument can give you some good insight in how it works - but use the right tools and take your time.  I was a builder/luthier at one time and decided playing was the skill I wanted and stopped building.  I highly recomend using your time to fine tune your playing skills instead of adjusting your bridge.  Leave that up to the mechanics.  By the way there’s a great video on youtube of a fender masterbuilder doing a nice and simple setup of a strat floating bridge.  A video makes it very easy to grasp.

    posted on April 2, 2013 at 12:05 pm
  11. Matt C says:

    Good information there Daniel, covering the big 3 of electric guitar. But I gotta express that I don’t like the strat portion where you simply mentioned to tighten down the tremolo flush to the body like it was the only thing you should do with a strat bridge. The fact that this article is titled “Perfect Bridge Adjustment” it would only be fair if you included a disclaimer on floating bridges (or cover another article on it if it’s too much to be said here). Unless one considers floating bridges imperfect. Whichever your opinion, I believe we all have to admit that it was what Leo and the boys designed those bridges to do anyway.

    posted on April 2, 2013 at 3:02 pm
  12. Cymro14 says:

    Getting the guitar to a luthier you know and trust is the best advice. I tried adjusting my20year oldstrat the other day and spoilt the action and intonation by fiddling about. Never again. Too many interrelated bits on a guitar for my liking.

    posted on April 2, 2013 at 5:35 pm
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  14. Chris Stallaert says:

    To those of you who mentioned that string guage does not affect the string height…have you considered that usually the string is sitting in a V-Notch of the saddle, therefore a heavier guage string will not sit as low in the saddle as a Lighter guage string, resulting in a higher action.

    Therefore this article is correct!

    posted on April 2, 2013 at 10:04 pm
  15. John K says:

    @shtew
    Your logic for action height is 100% correct.  However, heavier strings will cause more bow in the neck, thus causing a great distance between the top of the fret and bottom on the string….higher action. the same will occur if you go with a lighter gauge..the neck will get straighter due to less tension, this will give lower action.  I went from 10’s to 11’s on my strats and LP and this was definitely the case.  The action didnt change much in the higher registers, but 2-10 frets it did.

    posted on April 2, 2013 at 10:29 pm
  16. Chris says:

    I never had much of a problem setting up my Gibson when it was in better shape, but I’ve been playing a PRS SE for the time being and the low strings are out and no matter what I do to the bridge, I can’t find a good balance.  The low E is the most out of tune at the 12th, and it improves slightly until the G string and all the high strings are fine.  It has a Gibson style truss rod…would adjusting the truss rod fix this problem?

    posted on April 3, 2013 at 12:44 am
  17. Shtew says:

    @Chris Stallaert:
    As in Neck adjustments, the saddle [& Nut] slots need to be adjusted for any change in string gauge PRIOR to adjusting the Action & Intonation…

    posted on April 3, 2013 at 4:46 am
  18. Shtew says:

    @John K:
    Which is why proper Neck adjustment is done PRIOR to adjusting the Nut, Action, and Intonation…especially when changing gauge of strings…

    posted on April 3, 2013 at 4:50 am
  19. Shtew says:

    @Chris:
    Neck adjustment can indeed affect intonation…has the neck been properly adjusted…?
    If the Nut is not correctly slotted, that can affect intonation…has that been varified…?
    If it’s got the “wrap-around” fixed intonation bridge, there’s only so close the Intonation can be…an upgraded bridge may be the solution…

    posted on April 3, 2013 at 4:59 am
  20. michael says:

    String guage changes the action of the guitar. 42 years of experience.
    ps..learn to set up your guitar yourself. a little effort on your part and you can get it perfect.
    how can a stranger adjust your guitar to fit your playing???

    posted on April 3, 2013 at 5:21 am
  21. David says:

    “However, heavier strings will cause more bow in the neck, thus causing a great distance between the top of the fret and bottom on the string”

    @John K, if you go to a higher tension set of strings, you have to adjust your truss rod, so your relief will be the same, and so will the action. You never just slap a different gauge set of strings on and leave the truss rod where it is. You will probably also have to adjust the intonation. Intonation if affected both by string height and stiffness.

    Heavier strings feel stiffer though, so they are harder to play, as if higher action. I like 9s. Everyone seems to think heavier strings sound better (I don’t) but Hendrix used 9s, and Jimmy Page and Billy Gibbons used 8s, and they sound just fine. ;)

    posted on April 5, 2013 at 3:53 am
  22. John K says:

    @Dave….No, i get the whole truss rod adjustment thing, i’ve been doing setups for a long time. The point I was making to the OP was that gauges will affect action. and Shtew’s first response did not mention truss adjustments, so i was just clarifying.

    Personally i think heavier strings do sound “better”  I went to 11’s and it was a noticable difference, they were just too thick to play. Think about it…bass strings are thicker, right?
    I hear the comparison about pages’ and gibbons’ 8’s all the time .. and yes they sound just fine as you put it.  My thought is,  imagine if they played 10’s or 11’s!!!!!!

    posted on April 5, 2013 at 7:20 am
  23. Lance Fowler says:

    Gosh, so many components other than string gauge affect harmonic content, output, resonance, and attack-sustain-decay relationships… action is a feel thing really, which is very subjective as it’s down to what works best in the hands of the individual player, what helps them express themselves. And most fretted instruments resist perfect intonation by design anyway - some more than others - yet the notes that are slightly off centre can really add something to a performance.
    Example - I’ve always envied the huge fat tone that a friend of mine gets. In many ways his setup is the opposite of mine - low action, light strings and hi output pickups - so it feels all wrong to me when I pick up his guitar & try to get his sound.

    posted on April 5, 2013 at 11:22 am
  24. Lance Fowler says:

    ...having said that, it’s never a bad thing to understand these elements of your instrument better - so kudos on a great article!

    posted on April 5, 2013 at 11:25 am
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  29. greg m says:

    1 new strings brought to pitch
    2 measure and adjust neck relief, a good starting point .010 @ the 9th fret
    3 adjust nut string height( capo 3rd fret-measure string height at 1st fret low-E .015 high E .010 for starters file as necessary         10-46 strings
    4 string up to pitch set bridge claw with 3 springs to 1/2” to start or set so bridge is .010 off body
    5 capo 1st fret- adjust low E bridge saddle to 3/32” to start—set high E to 2/32” to start
    6 use fret board radius guage to set string height on remaining 4 strings
    7 good time to intonate
    8 nows a good time to check for high frets with a fret straight edge and fret end burrs
        This is how I start a setup—then adjust as necessary
    9 make sure your bridge screws are not binding the bridge from coming back to pitch
    10 go slow ,its a learning experience

    posted on April 10, 2013 at 9:51 am
  30. shtew says:

    Actually…checking the frets and bridge screws/binding [and how they’re adjusted] should be done first…un-level/loose/out of crown frets and the bridge hanging up on the mounting screws can affect everything…;-)

    posted on April 10, 2013 at 10:02 am
  31. matthew says:

    its a great thing to play the electric guitar.its also good to have it set up just right.you wont beleive the difference.you dont even know that you are fighting your prized les paul or tele until you let a pro go over it top to bottom.then pay him what ever he asks.then youll see ,its like night and day..leave it to a pro.you dont want to start fiddleing with a $3000 guitar.its not home depot and when not if you fuck somthing up you will pay for it in the end

    posted on April 10, 2013 at 10:26 am
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  33. BloughMee says:

    To all of you who think only a “pro” can make these basic adjustments - I’m here to tell you that is absolute baloney.  Setting up an electric guitar is not rocket science- it’s a simple matter of bringing half a dozen parameters into spec,  and it’s something EVERY guitarist should know how to do themselves.  If you want to spend $50-100 to have it done for you - that’s fine - but you should also know how to do your own. It’s as important as knowing how to change your own strings IMO - the set-up can and will change seasonally and you have to know how to maintain your own guitar or bass.

    posted on April 16, 2013 at 4:51 am
  34. Shtew says:

    Some people are just not mechanically or technically inclined tho, and can do more damage than positive results.
    Some folks can do their own auto repairs, some can’t…or just don’t have
    the time for nor want to be bothered with it…so are indeed willing to pay a Pro…YMMV…;-)

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