The Show Might Go On

March 21, 2013

Don't Forget these Gigging Essentials

by Daniel Brooks

Congratulations! You got the gig. You know you’re ready. You’ve created a great set list. Your gear is modified and adjusted to perfection. You’re so well rehearsed you could play any of your songs perfectly, anytime, anywhere, for any audience. Rock and roll greatness awaits you! What could go wrong?

Well, a lot of little things, actually. Regardless of whether it’s your debut or your thousandth time on stage, there are minor snags that can mess up your show or keep the unprepared from doing the gig altogether. Any of them could happen to anyone, and are likely to happen to you, sooner or later. Fortunately, a little preparation can reduce most of the more predictable setbacks to mere maintenance and save the evening. Here are a few essential items you should bring to every gig in order to make sure the show goes on.

Back up guitar - Strings break or go out of tune. Guitars occasionally get dropped, smashed, knocked over, stepped on, damaged or even stolen. Or maybe you have a song that requires an alternate tuning. Rather than put your audience through the epic experience of watching you restring, retune, repair, or troubleshoot your guitar on stage, just grab your backup, plug it in and get on with the rock and roll greatness.

Tuner - Maybe there are those who can turn the act of tuning a guitar into high art, but even for them it is rare to play for an audience that appreciates the avant garde aspects of the genre. For the rest of us, a tuner is essential. There are several great, inexpensive tuners out there, but I have a Boss TU-3 chromatic tuner that may be one of the best investments I’ve ever made. One click of the footswitch mutes the guitar’s signal and gives me an immediate visual reference for the note I’m actually playing, accurate to within one percent sharp or flat. I can tune any string to any note, quickly and quietly, and I often use the TU-3 to mute the signal to swap guitars between songs without the audience having to endure the non-musical noises that accompany the process. The TU-3 has the bonus feature of a buffered bypass, effectively reducing the tone sucking effects of my 25 feet of cables, pedals and patch cords to that of the ten foot cord that runs from my guitar to my tuner. Brighter highs and punchier mids, a mute switch AND a perfectly tuned guitar in seconds, easily one of the best $99 I’ve ever spent on gear.

Cables - It doesn’t matter what kind of guitar, amp or pedals you’re playing if one of your cables shorts out and stops working. In my experience, defective cables are one of the more frustrating causes of equipment failure. They’ll work great for years and then, one day, in the middle of a song . . . silence . . . It’s always good to have a two or three more cables than you need. Sooner or later, you or one of your band mates or the guitarist from your warm up band will really appreciate the backup. And while you’re at it, I’ve found it’s a good idea to color coordinate your cables or mark each one, at both ends, with its own kind of tape, or ribbon, or shrinkwrap, or even a dab of paint. It helps you keep track of the cable that goes into the front of your amp, and those that go into your effects loop send and return jacks.

Batteries, Adapters, Extension Cords - A dead battery will silence any one of your favorite pedals, leaving you with an eternity or two of onstage troubleshooting, and then the rest of the set or even an evening in front of an audience without the sound you need to express your epic vision. Fresh batteries will keep your sound going strong. An AC adapter or an upgrade to a power supply will insure you never again have to worry about your batteries, and an extension cord or two will insure your pedals and amp will get all the juice they need, anywhere on stage. Mount a power supply to your pedal board and you can leave your whole signal chain intact, powered and stage ready for any show.

Picks, Strings, and Straps - A broken or dropped pick will disrupt the song. A broken string will disrupt the song and knock your guitar out of commission for the rest of the set. A broken strap will disrupt the song, make you sit for the rest of the set, and risk dropping your guitar on the floor and knocking it out of commission for good. Spare picks, strings, and straps are cheap and easy to keep on hand.

Tools - With two or three different sizes of Phillips screwdrivers (#0, #1, and #2, specifically), a soldering iron, wire cutters, needle-nose pliers and a roll of gaffer’s tape, you can do almost any basic emergency fix on almost any piece of musical equipment. Throw in a string winder, a handcart and maybe some double-sided Velcro strips and tales your wisdom and benevolence, or at least your extraordinary common sense, might just become the stuff of legend.

A First Aid Kit - You don’t have to be a doctor to know that sometimes a little human maintenance makes all the difference between success and misery. You’ll probably find you have different items in your first aid kit, depending on your travels and your band mates. But, in my experience, more than one show has depended on someone getting some desperately-needed Ibuprofen, or a band aid, or a nail file, ear plugs, ginseng, superglue or a towel.

Pens and Paper - Sharpies and notebooks and other implements of instruction are the essential tools of the literate. Bring a few notebooks and a handful of pens and Sharpies and you’ll find a thousand and one reasons to thank yourself. Use them to create set lists, mailing lists, lyrics, notes, drawings or a reminder of things you will definitely bring to the next gig.

Did I forget anything?


  1. Matt S. says:

    What about backup power tubes/preamp tubes?

    posted on March 22, 2013 at 2:52 am
  2. Karl Houseknecht says:

    For the first aid kit: Immodium AD.  Do not underestimate the importance of having this on hand.

    posted on March 22, 2013 at 2:54 am
  3. Alan Strathmann says:


    posted on March 22, 2013 at 3:13 am
  4. Neal H says:

    A mini flashlight comes in really handy on stage.

    posted on March 22, 2013 at 3:14 am
  5. Thomas Faucette says:

    Another possible item for the first aid kit: vocal spray. Especially if you or your singer play music that requires a high vocal range.

    posted on March 22, 2013 at 3:14 am
  6. tony says:

    Gravol and imodium are also two medications that can save a shop esp the later…...

    posted on March 22, 2013 at 3:15 am
  7. Dr. Fill says:

    Karl is so right. Nothing worse than having a gig turn into a crappy experience.
    Also include cough drops, cold meds and non narcotic paim killers. For equipment,
    I always bring a spare guitar, amp and cables. You never know. ..and it has happened
    that I’ve needed every spare at o e tie or another.

    posted on March 22, 2013 at 3:18 am
  8. Moe says:

    Roadie/Guitar Tech

    posted on March 22, 2013 at 3:20 am
  9. James Moscardini says:

    @Karl So true!

    posted on March 22, 2013 at 3:28 am
  10. Artie Fisk says:

    1. Duct tape. Usually black.
    2. A flashlight, or even better, a headlamp, and spare batteries, can be essential. Imagine trying to figure out what’s wrong with your amp or cables or pedalboard, down on your hands and knees, on a dark stage…
    3. Advil.
    4. Cough drops or other voice-helping medicines. I like to keep some very spicy ginger chews in my gig backpack - they fix my throat right up when I’m getting hoarse. Hot peppers do the job for me, too. I have taken a bottle of hot sauce to a gig.  I’m not joking.
    5. Spare shirt and a towel. I sweat like a MOFO when I play music. The last thing I want is to be the guy swimming in his own juice after the show, when everybody is coming up to you and hugging you.
    6. Gatorade and an easy snack—maybe a Clif bar or something—stashed in the car. I’m almost always hungry and dehydrated after a gig, and who the hell knows if the pizza joint next door is still open at 2am? I don’t usually have the gumption or the time to hit a diner after the show, either.

    posted on March 22, 2013 at 3:33 am
  11. Steve says:

    2nd on the immodium comment. Also, super glue is a life-saver. I accidentally sliced open my finger before a gig, and a band aid totally would’ve gotten in the way. Just put some super glue on it, hold it in place for 30 seconds, and you’re good to go!

    posted on March 22, 2013 at 3:39 am
  12. Marshall says:

    Backup tubes are good, but a backup amp is quicker (and potentially safer than screwing with the amp guts). It be a small combo you can quickly mic up, or a micro amp head like a ZVex Nano, EHX Magnum 44 or Traynor Quarterhorse. Going even smaller, a modelling DI box that can be run direct to the board, like a Sansamp Character Series or Line 6 POD.  Sure, it’s not going to capture the magic of your main amp, but it will get you back in the saddle much, much quicker.

    posted on March 22, 2013 at 3:41 am
  13. SlopeRocker says:

    Some candy bars - in those bite size piece packs -  fro quick energy between sets or to pop in your mouth during that drum solo. My favs are Milky Ways….

    Spare contact lens and saline solution for anyone in the band or crew wearing contacts. They DO pop out and no way you’re going to find them fast on that cruddy, dark stage anyway,

    Band Biz Cards for anyone who asks…..

    Some Moisture Towelettes for greasy fingers, face, hands during set.

    posted on March 22, 2013 at 3:43 am
  14. SlopeRocker says:

    Oh…and a DI box for when you show up and they say FOH only put that amp back in the van OR if your amp crashes out and you got to go FOH.

    posted on March 22, 2013 at 3:46 am
  15. David Fellows says:

    Tubes! I just did a gig and lost a 6l6 half way though cross roads I have a self biasing amp but if you don’t and your only backup set is el34’s then you need a multimeter.I also always have two amps.but I like to play them both but if one goes down the show can still go on.Mic cables I seem to go though enopugh mic cable I just might look into a wireless system.A tunning peg.I had a guitar knocked over and broke a peg and I’ve carried one ever since.never used it but…as for the medic kit if another shot and a band aid won’t fix it the show is probably over.I’m setting here with a broken hand and I was supost to play hoo I’m not getting a cast though cause I can’t waite 6 weeks.hahaha

    posted on March 22, 2013 at 4:00 am
  16. Brad says:

    Spandex pants, fake blood, eye liner, pyro….

    posted on March 22, 2013 at 4:01 am
  17. Jason Farley says:


    posted on March 22, 2013 at 4:09 am
  18. Jimbbo says:

    All the above suggestions are great. Let me add:
    1.) A small sewing kit with safety pins. Never know when you’ll have a ‘costume malfunction’.
    2.) Nail clippers with a file. And Super glue. Never know when you’ll tear a nail.
    3.) Spare earplugs for those nights when the cymbals are just killing you.
    4.) A spare portable CD player with a couple of appropriate CDs with a phone-plug cable adapter and AC adapter to plug into the PA incase whatever you’re using between sets breaks.
    5.) Your scheduling book, in case the bar owner loves you and wants to book more dates now.
    5.) Obviously—a spare guitar, amp, an overdrive & chorus pedal and a couple of SM-57s (mics).
    Most of these things will fit into a black fake-leather tennis bag, which has lots of pockets.

    posted on March 22, 2013 at 4:37 am
  19. Yngve Groenvik says:

    All of the above and a pair of new socks!

    posted on March 22, 2013 at 4:42 am
  20. MikeLo says:

    A binder with everyone you need or may have to contact in each of the places you are playing.  Promoters, venue staff, drummer’s second cousin who offered a couch, everybody.

    posted on March 22, 2013 at 5:04 am
  21. Derek Smalls says:

    Spare cucumber.

    posted on March 22, 2013 at 5:28 am
  22. Blackie James says:

    Jack Daniels

    posted on March 22, 2013 at 5:41 am
  23. Zack says:

    My Top 5 Things

    1 - Spare Gat
    2 - Spare Amp and DI
    3 - Tuner and 9V batteries
    4 - spare multi plug and extension
    5 - video cam - set it up close to capture the gig for future improvement

    posted on March 22, 2013 at 6:34 am
  24. Byrdy says:

    Toilet Paper. For those clubs where it might be missing…Nothing worse than a “bad wipe” to cramp your style on stage!

    posted on March 22, 2013 at 6:39 am
  25. Kyle Alm says:

    This couldn’t have come at a better time.

    posted on March 22, 2013 at 6:53 am
  26. Lloyd says:

    Condoms. Nonlube for protecting your wireless, lube for everything else. Also, duct tape, Phillips screwdriver, EXTRA PICKS, and a beach ball.

    posted on March 22, 2013 at 6:54 am
  27. Todd says:

    NEVER USE DUCT TAPE! It will always leave that nasty adhesive residue on whatever you stick it to. Gaffer tape is best. It’s strong, comes up easy, and leaves no residue. Club owners and stage managers will appreciate it. Write your name or your band’s name on the side of the roll since it can grow legs when you’re not looking.

    posted on March 22, 2013 at 7:26 am
  28. Joe says:

    That’s great advise for all you pickers, but for us drummers always, always bring extra sticks, duct tape, and a spare snare drum. Extra bass drum head would be nice ( I kicked through one this weekend) and lots of towels…....

    posted on March 22, 2013 at 7:35 am
  29. Bill says:

    And. don’t forget the duct tape…..

    posted on March 22, 2013 at 8:11 am
  30. Marcus says:

    Leatherman tool.
    Spare mike. If you also sing.
    iPhone. Makes flashlight, camera etc obsolete.
    Postcards, flyers whatever you hand out as booking info.
    Power cords. Not chords.

    posted on March 22, 2013 at 8:16 am
  31. ESE says:

    Most important advice I can give you: bring a friend to the gig who will just enjoy the show unless he has to step up in most of the events described in the article, so you can stay focused on bringing the music. He’ll be your guitar tech. Especially with more extensive repairs… ugh, you don’t want to do be soldering while there are people waiting for you to play your next song, do you? Saves you a LOT of stress. Same goes for restringing your primary guitar, or retuning your guitars if you properly put instructions on guitar tuning on your setlist + brought an extra tuner. With regard to the setlist, it’s no shame to add which key you’ll be playing the song in either (or specific information for band members, e.g. the tempo, who does the leads, etc.).

    The one thing you want to have on you AT ALL TIMES is black gaffer tape. This is truly indispensable. For labeling stuff, you’ll also need white gaffer tape + a black permanent marker. Besides, if a fan wants your autograph your latest demo, or and a more special fan wants you to write your phone number on her shirt… yep, a permanent marker will do just fine :-)

    Cables… when it comes to power, most venues have it worked out pretty well, but just in case bring your own cable reel; you’d be surprised how useful this can be. And if you’re sporting a DIY pedalboard, you’ll probably need a power strip on that one too. Furthermore, with just a small set of cables that I call my “prepared for any situation bag”, there are many desperate situations that you’ll be able to cheat your way out of. Jack-jack cables were already mentioned, but also bring: a jack (male) to minijack (female) converter, a minijack (male) to RCA (male) cable, an RCA extension able (>= 30 ft), an XLR cable (>= 30 ft), and a jack (female) to XLR (male) converter. Easy to bring, solves a lot.

    Handling stage cables is usually a fairly “dirty” work. Your hands will be this greyish color, so have some paper handkerchiefs and a bottle of hand sanitizer (or Jack Daniels, as someone suggested above; also a great disinfectant).

    Appearance-wise, as a performer you’ll need to accept that you’ll need some basic face make-up with you, and actually use it too! In situations with bright (artificial) lighting, your face will lose some definition and the heat will make you sweat rivers. So to keep your skin matte when sweaty and also to prevent being uncomfortable in front of an audience due to a pimple or other such things, get yourself a good foundation (get a powder-based one dude, the liquid/serum ones are messy!), and also some eyeliner to make your mimicry to come out better. Ask your sister, mother or the lady from the local cosmetics shop for advice, and also let her teach you how you can put it on yourself.

    Lastly, the best thing of course would be if you had backups of everything, and even then, things can go wrong (e.g., equipment overloading due to poor line conditioning). I do suggest you bring a small spare monitor (e.g., Behringer B205D) with you. Worst-case scenario, it could even act as an amp.

    posted on March 22, 2013 at 9:36 am
  32. MB says:


    posted on March 22, 2013 at 10:00 am
  33. Abbacus says:

    Pepper spray!

    posted on March 22, 2013 at 12:22 pm
  34. Bill says:

    The small Pocket POD a lot easier to carry than a back-up amp. Just plug in into the PA.

    posted on March 22, 2013 at 1:57 pm
  35. Al Cupples says:

    Caigs Deoxit ....or something to lubricate switches jacks / pots etc
    Tip jar ;)

    posted on March 22, 2013 at 6:27 pm
  36. whatwouldjimido says:

    beer. lots and lots of beer. lubed band + lubed audience = ace gig.

    posted on March 23, 2013 at 7:36 am
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  38. Fábio Guedes says:


    posted on March 23, 2013 at 10:08 pm
  39. Cliff Lang says:

    Drum sticks and a drum key. Because you know how drummers are.

    posted on March 24, 2013 at 12:10 am
  40. Michael Sinks says:

    Man, you guys covered it all! I guarantee these tips are all viable. Bring two of anything that is practical to carry, someday you’ll be glad you did!

    posted on March 24, 2013 at 5:04 am
  41. Dennis says:

    String peg winder…I love the Imodium comments, is that nerves or bad road food?

    posted on March 24, 2013 at 10:45 pm
  42. iowarocker says:

    I’ve had to use superglue at a gig for cracked fingertips because of dried skin. If i didn’t fill the cracks the pain would have been unbearable. So think about prevention too, use hand lotion so the dry cracks won’t develop in the first place. For a backup/personal warmup amp use a iPod/iPad/iPhone with the Amplitube or Ampkit apps. It will get you by in a pinch and you may be impressed with some of the sounds you get.You can even put it in your signal chain! I think there is Android versions now too. They even have tuners in the apps!

    posted on March 25, 2013 at 2:46 am
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